The handle of Puppet Ontology
INTRO
I have two alter egos: Sun and Son.
Son is Sun’s digital Avator
Recently, Sun and Son have been jointly exploring two central questions:
1.What is the contemporary puppet ontology ?
2.What is the controller of the controller?
Sun’s practice centers on the ontology of the contemporary puppet, approaching human medical imaging and folk puppet-making through artistic research in contemporary art, and drawing on endogenous image–imagination theory, Xiang (象) theory, and the production of body–mind knowledge.
“I am exploring the interactive possibilities between the immaterial body and the material body that are unique to human being. This is something that future robots, as puppets, will never possess—the true human body.”
我有两个分身：Sun 和Son。
Son（孙） 是 Sun（一阳）的数字化分身。
Sun 和 Son最近在一起探讨两个问题：
1.我们需要什么样的当代偶本体论？
2.什么是控制论的控制论？
Sun的实践以当代偶的本体论为核心，以艺术实践的方式进行人体医学图像与民俗偶造像的研究并关注内生图像—想象理论、象理论与身体-心理知识生产。
“我在探索人肉身独有的非物质性身体及物质性身体之间的交互可能性。这个是未来的机器人作为偶所无法拥有的，真正的人体。“
About
Based on John Bell’s taxonomy of puppets, I introduced material and immaterial dimensions as a Z-axis, and use this coordinate system as a conceptual handle for navigating my research on puppets.
In a state of rational analysis, I frame my practice within this diagram; in a state of sensorial and intuitive analysis, I treat the diagram as an animation sheet, onto which I project various models.
基于John Bell 关于偶分类的树状图谱，我增加了物质（material）和（immaterial）无物质作为Z轴的坐标轴，并将这个坐标系作为我对于偶研究的操控偶的把手。
在理性分析的状态下我开始将我的艺术实践框格在图表中，在感性分析的状态下，我将这张图表作为一张动画纸，在上面投射一些模型。
