No Name
“No Name Puppet” is a daily puppetry practice, developed as part of Sun’s research into contemporary puppet ontology.
How to animate a transparent puppet into a mirror?
No Name is a neutral ceramic puppet as a piece of white paper. It is activated through improvisation in different public spaces, with its identity continuously shaped by the people it connects with each day. Beginning with the concept of the Collective Mind, No Name continuously builds a living archive through barter — an exchange of one on one performance, presence, and interaction.
Since the day of its birth in June 2026, Sun has carried No Name with her whenever she is on the journey, allowing the puppet to become an extension of the body.
Treat the puppet, and don’t forget to breathe.
“No Name Puppet” 是一项日常活态偶实践，作为Sun对当代偶本体论研究的一部分。
如何动画一个偶，使它成为一面镜子？
No Name 是一个中性陶偶（a natural ceramic puppet ）.它没有任何预设的身份。它通过即兴表演，在不同的公共空间中被激活。其的身份由它每天所遇见的人共同塑造。No Name 从Collective mind 这一概念出发，以Barter（表演交换）的方式持续活态档案A living Archive。
自 2026 年 6 月诞生的那一天起，Sun 每次出行都会带着 No Name，让puppet逐渐成为她身体的延伸。
Follow Me
Instagram @ no.body.puppet
No Name
材料Material：陶瓷 ceramic
动画 Animate：孙逸阳 Yiyang Sun ；生活观众 people with/without name
Mathieu Pestel; Seren Oroszvary; Iohan; Mikk Lahesalu
合成 Composite：孙逸阳 Yiyang Sun
摄影 Photography：生活观众 people with/without name
声音设计 Sound Design：孙逸阳 Yiyang Sun
Exhibition展览
Estonian Pavilion at the 61st Venice Biennale
Part of The School of Strange Weather invited by Merike Estna
This practice is based on Sun’s research for Expanded Puppet: From Immaterial Animation to the Technical Practice of Relaxation
Performance表演
You are invited on a journey in one breath.
An inhale, an exhale.
What happens in between?
Start & End Location: Tallinn Linnahall
“The house was fighting gallantly. From the
very beginning of the storm, snarling winds had
been taking the roof to task, trying to pull it off,
to break its back, tear it into shreds, suck it off.
But it only hunched over further and clung to
the old rafters. Everything swayed under the
shock of this blow, but the flexible house stood
up to the beast.
The already human being in whom I had sought
shelter for my body yielded nothing to the storm…”
Henri Bosco,
Malicroix, 1946
The house and the body are spaces that inhabit and are inhabited. A Body To Dwell is a night of rearranging oneself in these spaces.
What if your house was a living body?
We spend this life with a body and a house, putting things into them and taking things out.
So, what do you let enter, and what do you let go?
- Director:Seren Oroszvary (AUS)
- Scenographer:Niina-Anneli Kaarnamo (FIN)
- Composer:Pelle Sand (DK)
- Lighting & Sound Technician:Sasha Mirson (EST)
- Performers/Devisers:Lea Blau (HRV), Maya Libera Castellini (ITA), Samuel Skoog (UK/NZ), Jarmo Reha (EST), Yiyang Sun (CHN), Fausta Noreikaitė (LTU)
- https://abodytodwell.com/
About The Artist
关于艺术家
千禧年出生于中国上海。现学习生活于爱沙尼亚塔林。她是一位手工影像导演与偶的艺术家。孙逸阳的实践聚焦于（具身）偶与（无物质）动画，通过偶制作与时基媒介构建民俗超现实叙事。
她的日常具身实践以 Talmi Method® 与合气道为基础。
她的作品曾在世界各地展出及放映，包括萨格勒布动画节（Animafest Zagreb）、PÖFF Shorts、Kaboom Animation Festival、First 青年电影节、林兹电子艺术节（Ars Electronica）以及威尼斯双年展（Venice Biennale）。她曾获得巴黎国际动画电影节（PIAFF – Paris International Animation Film Festival）最佳实验影片奖，以及 Rise and Shine CEE Animation Lab 最佳观众奖。她曾担任荷兰 Nijmegen 国际短片电影节的评审。
她的艺术研究始于偶的延展性练习，将其作为“如何放松”的实践，通过具身想象、注意力结构与不同意识状态的研究，构建身体的活态地图。
2000 Born in Shanghai, China. Currently based in Tallinn, Estonia. An artist giving birth to handmade films, and puppets. Sun focuses her practice on (Embodied) Puppet and (Immaterial) Animation, creating folk-surreal tales through puppet making and time-based media.
Her daily embodied practice draws on the Talmi Method® and Aikido.
Her films and works have been presented worldwide, such as Animafest Zagreb, PÖFF Shorts, Kaboom Animation Festival, Ars Electronica, and the Venice Biennale. She received the Best Experimental Film Award at PIAFF – Paris International Animation Film Festival and the Best Audience Award at the Rise and Shine CEE Animation Lab. She was the jury member at the International Short Film Festival Nijmegen in the Netherlands.
Her artistic research explores expanded puppet and image moving as practices of “how to relax,” developing a living map of the body through embodied imagination, attention, and different states of consciousness.