When we introduce a pool and a grassy area from an ecological chain into the white box space, after one week of the exhibition, mosquitoes will lay eggs and hatch in the ceramic artwork and the pool. In the pitch-black gallery, the audience use flashlights to explore the moving images, monitoring them as humanbeing，they will beinvited to pick up the kettle by the poolside (containing mosquito repellent and alcohol) to eliminate the mosquitoes bred within the installation. 

Frogs are originally natural predators of mosquitoes, a part of the ecological chain. However, in the present context, they become frozen frogs, symbolizing the absence of specific one in the system cycle. The act of using the water spray bottle to repel mosquitoes can be associated with the experience of “disinfect.“ Now the process of the handmade film are being expended, and its comprehensive media nature relies on the space and the audience.

I try to unfolding the skin of the handmade film through the craft of framing time.